Annette
at Bikini Beach (Buena Vista, released
September 1964). The
third Annette Beach Party-related release and a mixed bag, as a
listen immediately suggests that by now her Disney producers and
writers were running out of ideas on how to fill up an
LP.
The gatefold cover shows Annette in a bathing suit again,
this time a one piece as she lies by a pool (on the front an album
about “bikinis” and “beaches,” go figure). Side one contains “the
usual,” recordings of Annette singing music from the AIP film Bikini Beach, the clear
standout number being another classic Styner-Hemric love ballad, “Because You’re You,” which
in my humble opinion is one of the ten best recordings she ever made. Her
performance of it can only be described as hauntingly
beautiful, as her solo, unembellished (no doubletracking,
echo or any other processing) mezzo soprano literally resonates
against a simple acoustic guitar background. As any
accomplished musician will tell you, the acid test of
any vocalist is a slow ballad against a simple
background -- every and any singing flaw shows up in that situation
-- so it took guts for Annette to cut the number this way,
and she succeeds. The fact this song has never
been included in any of the Annette compilations
produced by Disney over the last two decades is a crime (and
suggests just how oblivious that company has become to
the real treasure sitting in
its archives).
The
“how can we fill this LP?” issue becomes clear when one listens to
side two, which features her doing relatively generic covers of
early 1960s dance numbers,
including “Let’s Twist Again,” “Blame it on the Bossa Nova”
as well as two new pieces, “The Clyde" and "Jamaica Ska. ” The
latter is the most unusual of all these dance songs, and
one she would for whatever reason choose to re-do twenty
three years later in Back to the Beach. The album also includes a
song that is easily among the top two or three she ever recorded: a
Sherman-authored duet with the Beach Boys (“The Monkey’s Uncle” from
the 1964 Disney film of the same name).
Annette
at Bikini Beach
was originally released in mono (BV-3324) and stereo
(STER-3324 ). It has never be re-released in any
format. Also, per
discussion on the prior two Annette LPs, some posters on
various Funicello-related online bulletin boards have made
erroneous references to a "Buena Vista issued CD re-release of
her Bikini Beach LP that was made in Japan." No such
CD exists (the mistaken presumption behind the reference is probably
due to the ongoing confusion among some Annette enthusiasts
about the origin of the Pony Canyon Japanese re-releases
of Beach Party and Muscle
Beach Party).
Availability:
harder than average Annette album to find, particularly the stereo
version. Was a
reasonably good seller (for whatever reason, Disney heavily promoted
this release), but gatefold designs don’t hold up well, so a lot of
these have gotten trashed over the years. As a result, this one is in
small supply and doesn’t come cheap. Copies appear on the web
auction sites once in a while
Related singles:
Buena
Vista F-436, "Bikini Beach
Party"/"The Clyde." mono,
released with picture sleeve, September 1964. Two of the
less interesting numbers from the LP (the forgettable title number
and a song for a dance fad Buena Vista hoped to
start). Comparatively rare, but because the content is
not particularly sought after, can be bought for $40-70 when it
appears.
Buena
Vista F-437, "The Wah
Watusi"/"The Clyde" mono, no
picture sleeve, October 1964. Two pieces from side two
of the LP, the strange Watusi piece and The Clyde again
(somebody senior at Buena Vista must have been insisting this was
going to catch on if it was promoted enough). Like most
of the other 45s from Annette's Beach Party LPs, this is rare, but
proven lack of a picture sleeve has held the price down. Can
be had for $30-50 when
available |